Vulnerability in the Works of John Donne :: Biography Biographies Essays

Free Essay on John Donne - A Journey Through Vulnerability John Donne uses poesy to explore his consume identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donnes poetry is a confrontation or struggle to respect a ass in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay volition discuss Donnes states of mind, his views on love, wo custody, religion, his relationship with God and finally how the use of poetical form plays a part in his exploration for an identity and salvation. The vocalizer in Donnes poetry is a theatrical character, constantly in unlike situations, and using different roles to suit the action. He can take on the role of the womanizer, as in The Indifferent, or the faithful lover from Lovers Infiniteness, further the speaker in each of these verse forms is always John Donne himself. Each meter contains a strong s ense of Donnes own self-interest. According to Professor J. Crofts, Donne passim his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. level(p) the mistress of his most passionate love-verses, who must (one supposes) have been a tangible person, remains for him a mere abstraction of sex a social function given. He does not cod her --does not apparently want to see her for it is not of her that he writes, hardly of his relation to her not of love, but of himself loving. In Elegy XIX To His Mistress Going to Bed, we are confronted with one of Donnes personalities. The poem begins abruptly Come, Madam, baffle All rest my powers defy/ Until I labour, I in l abour lie. The reader is immediately thrust into the middle of a private scene in which Donne attempts to convince his lover to undress and come to bed. There is only one speaker in this poem, Donne, we do not hear the voice or a description of the feelings of another person, but she is always present. If Samuel Johnson was correct when he made the statement that the metaphysical poets were men of learning, and to show their learning was their whole endeavour.